Nikon D6 Professional DSLR Camera Body - Open Box - High-Speed Photography for Sports, Wildlife & Events

The FX-format 20.8MP CMOS sensor is paired with the EXPEED 6 image processor to offer a proven mixture of high sensitivity, nuanced image quality, and fast overall performance. At native values, a sensitivity range from ISO 100-102400 permits working in a broad array of lighting conditions, and can be further expanded to ISO 50-3280000 (Lo 1 to Hi 5) to handle the most challenging of situations. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range.

In addition to benefitting image quality, the EXPEED 6 processor also affords a wealth of speed throughout the camera system, including a top continuous shooting rate of 14 fps for up to 200 consecutive frames. For sound-sensitive situations, a silent 10.5 fps rate can be used for discreet shooting and, if choosing to work in a lower resolution and in live view, up to 60 fps shooting is possible at 2MP or 30 fps shooting at 8MP.

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Dubbed "the most powerful AF in Nikon's history," the Multi-CAM 37K autofocus system uses an intelligent array of 105 all cross-type points to quickly and accurately achieve focus across the frame and in a variety of lighting conditions. This high-density system allows photographers to set focus almost anywhere within the frame in order to avoid recomposing. This unique design reduces the area of non-AF-sensitive areas in order to make the effective coverage 1.6x greater than in previous models, which allows for more accurate and faster focusing across the frame, with both still and moving subjects. When working with moving subjects, 17 custom Group Area AF settings can be used to set and maintain focus on subjects featuring busy backgrounds or fast subject movement. Benefitting the use of super telephoto lenses and teleconverters, 15 of the points are compatible with an effective aperture of f/8, and all 1053 points support working with effective apertures of f/5.6 or brighter.

Complementing the abundance of focusing points is a dedicated AF engine, which offers quick response times to benefit tracking fast and randomly moving subjects, even at the top 14 fps shooting rate. The AF engine also contributes to enhanced focusing sensitivity, with the ability to focus at -4.5 EV for working in very dark, low-contrast situations.

Furthering the versatility of the focusing system, seven different AF-area modes can be selected to support varying types of subject matter:

•  Single-Point AF: The camera uses a single point to find focus.
• Dynamic-Area AF: Available with 9, 25, 49, or 105-point selections, this mode uses a primary single focus point to lock onto focus, and then makes use of the surrounding points for maintaining focus while tracking erratically-moving subjects.
• Group-Area AF: This mode treats smaller groups of AF points as a single point for a wider field of recognition and is well-suited to tracking faces or other detailed subjects.
• 3D-Tracking: Using a subject's color information, this mode utilizes all 105 points to maintain focus on a moving subject while half-pressing the shutter button.
• Auto-Area AF: This mode makes use of all 105 points to quickly identify the main subject, and then prioritizes recognized faces as portrait subjects in any AF servo mode.

In addition to the range of AF-area modes, an AF lock-on function can also be used to improve subject tracking performance and can be adjusted by two-parameter—quick or delayed blocked shot AF response and erratic or steady subject movement. By configuring these settings, the AF performance can be optimized to handle a wide variety of subject movement types.

Lastly, a unique auto AF fine-tune function can be employed to ensure the best possible focus for each mounted lens. Rather than relying on photographing distance charts, this function lets you achieve precise focus manually in live view, and then have the AF system calibrate itself to the fine-tuned focus position in order to alleviate front- and back-focusing issues.

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Taking notice of multimedia image-makers needs, the D6 incorporates adept video recording capabilities. Able to record UHD 4K at 30, 25, and 24 fps frame rates, Full HD and HD recording is also supported, along with the ability to save movie files to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out.

As with still shooting, a wide range of sensitivities is available for recording in low- and bright-light conditions, ranging from expanded ISO 100-3280000, and sensitivity values are manually adjustable via the dedicated movie-shooting menu. Also, a video-optimized Flat Picture Control mode can be used during recording to flatten the overall contrast curve for more control during post-production and color grading.

In regard to handling, a dedicated power aperture button (Pv) makes it possible to achieve smooth, continuous exposure transitions when switching from light to dark areas, and Auto ISO can also be used to maintain consistent brightness when working in changing light situations. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality. Regardless if using the in-camera mic or an external mic, audio levels can be adjusted in 20 increments and live monitoring is possible via the headphone jack, which affords 30 different volume levels for playback.

In addition to straight movie recording, time-lapse recording, for up to 9999 consecutive frames shot over the course of up to one week, is also possible with up to UHD 4K at 30 fps output from the camera.

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The intelligent Scene Recognition System with 3D Color Matrix Metering III utilizes a 180,000-pixel RGB sensor to evaluate and analyze all aspects within a scene, including brightness, contrast, subject distance, and the scene colors, to quickly determine an accurate exposure and white balance setting to best render the scene at hand. The information gathered is also checked against onboard reference images to ensure consistency from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance.

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